Nature, Time

Babylonian Values: Confusion, By Mixing

בָּבֶל – Bâbel, baw-bel’; from בָּלַל H1101 (bâlal);
confusion (by mixing); Babel* (i.e. Babylon), including Babylonia and the Babylonian empire.

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The inversion of values can be traced back to the ancient Semitic empires of Mesopotamia, and the fertility cult worship of Inanna-Ishtar, goddess of Sex and War, the “Queen of Heaven”:

Central to the goddess as paradox is her well-attested psychological and more rarely evidenced physiological androgyny. Inanna-Ishtar is both female and male. Over and over again the texts juxtapose the masculine and feminine traits and behavior of the goddess.1

Her androgyny (also) manifests itself ritually in the transvestism of her cultic personnel. The awesome power of the goddess shows itself in the shattering of the human boundary between the sexes: “She (Ishtar) [changes] the right side (male) into the left side (female), she [changes] the left side into the right side, she [turns] a man into a woman, she [turns] a woman into a man, she ador[ns] a man as a woman, she ador[ns] a woman as a man.”2

The most vivid expressions of the goddess’s innate contradictions appear in the following passage:

To destroy, to build up, to tear up and to settle are yours, Inanna….
To turn a man into a woman and a woman into a man are yours, Inanna….
Business, great winning, financial loss, deficit are yours, Inanna….3

Inanna-Ishtar’s cultic celebrations and cultic personnel above all reflect her anomalousness and liminality. She is, one might say, externalized into unordered, carnivalesque celebration that demonstrates a reaching beyond the normal order of things and the breakdown of norms. The goddess’s festivals are institutionalized license. They celebrate and tolerate disorder. They are occasions when social rules are in abeyance and deviance from norms is articulated. Through symbolic inversion they attack the basic categorical differences between male and female, human and animal, young and old.4

 

“To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in them both, to use logic against logic, to repudiate morality while laying claim to it (…) To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just as long as it is needed, to deny the existence of objective reality.”

— George Orwell, defining “doublethink”, 1984

 

Within a few centuries, the new capitalist spirit challenged the basic Christian ethic: the boundless ego of Sir Giles Overreach and his fellows in the marketplace had no room for charity or love in any of their ancient senses. The capitalist scheme of values in fact transformed five of the seven deadly sins of Christianity – pride, envy, greed, avarice, and lust – into positive social virtues, treating them as necessary incentives to all economic enterprise; while the cardinal virtues, beginning with love and humility, were rejected as ‘bad for business,’ except in the degree that they made the working class more docile and more amenable to cold-blooded exploitation.5

— Lewis Mumford, Myth of the Machine

 

“Today, many nations are revising their moral values and ethical norms, eroding ethnic traditions and differences between peoples and cultures. Society is now required not only to recognise everyone’s right to the freedom of consciousness, political views and privacy, but also to accept without question the equality of good and evil, strange as it seems, concepts that are opposite in meaning. This destruction of traditional values from above not only leads to negative consequences for society, but is also essentially anti-democratic, since it is carried out on the basis of abstract, speculative ideas, contrary to the will of the majority, which does not accept the changes occurring or the proposed revision of values.”

— Vladimir Putin, Presidential Address to the Federal Assembly, December 12, 2013

 

* “And Cush begat Nimrod: he began to be a mighty one in the earth.
He was a mighty hunter before the Lord: wherefore it is said, Even as Nimrod the mighty hunter before the Lord.
And the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar.”

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Time

Once Upon A Time – An Allegory For Usury On Primetime American TV

 

“All magick comes with a price.”

– Rumplestiltskin / the Dark One / Mr Gold, Once Upon A Time

It premiered in 2011 as the top-rated drama. The pilot episode attracted almost 13 million viewers.

Now in its fifth season—and recently confirmed for a sixth—around 5 million fans in North America alone still tune in on Sunday nights to the ABC’s primetime TV series Once Upon A Time.

Doubtless very few have a clue that it is really a brazen allegory for money-lending. More specifically, for the practice of usury.

Couched in the guise of a modern fairy tale, it is really a story of magick debt “money”, that breeds more money.

For the magician, that is.

How?

By themagick” spell, of the binding contract.

The Promise To Pay. The I Owe You.

All the magician has to do, is tempt you to sign on the dotted line.



What do we owe, in “return” for this magick?

Our “firstborn”. The first “fruit” of our “labour”.


Most of us don’t really understand the “price” of magick. Compound interest is the “small” yet ever growing “price” we must pay, for enjoying the comforts of “magick” debt money.

I have watched only the first series of Once Upon A Time. From the premiere episode (clip below) onwards, it is filled to overflowing with symbolism and thinly-veiled allusions to the system of debt magick that has enslaved us all in a prison of Time.

All the other clips shown here are from episode four—aptly titled “The Price of Gold”—which first aired on November 13, 2011. Yes, that is 11/13/11 for fans of numerology, occultism, and conspiracy.

Please watch attentively the three slightly longer clips below, for a fuller context of that particular episode.

And for a comprehensively footnoted essay on how our modern system of debt money—and its supporting schools of economic theory—arose from the Hermetic-Kabbalist principles of double-entry bookkeeping in the 15th century, please read On Principal And Interest, Hermetic Magick, And The Lords Of Time.



A final thought.

Some—myself included—believe that private, for-profit banking corporations should not have the exclusive, government-backed and -enforced legal privilege of money creation. Especially when the only form of “money” these magicians create, is usury-bearing debt.

So if you have found some value (information, knowledge) in this post, perhaps you might be generous-hearted enough to do me a small favour.

That is, other than sharing this post with others.

Please take a look at the concept website I have created, explaining my idea for an alternative “money” (currency) system – deror.org.

I think every man (and woman) should be their own central banker.

UPDATE:

Should you still hold any doubts that Once Upon A Time is an allegory for usury, here are some snippets from the episode immediately following the one depicted above. Episode five—titled “The Still Small Voice”—also helps us to see that the “money” magicians are without excuse; that they know right from wrong, but choose to ignore the still small voice of God within (Conscience).

Importantly, it also confirms the foundational truths about the debt-money economy, as detailed in my essay.


And again, a slightly longer and more revealing clip, for context:

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